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Funch, Bjarne Sode
The Psychology of Art Appreciation

1997, 312 s., indb
30 colour plates
ISBN 978-87-7289-402-7



Vejl. pris398 DKK  61 $  54 €  48 £
Onlinepris318 DKK  49 $  43 €  38 £



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▼ Indhold
▼ Pressen skrev
▼ Din mening

Psychological aesthetics, also called the psychology of art, is one of the academic disciplines that has been actively involved in the investigation of art and its influence on human existence. In this book a number of studies within the psycho-physical, cognitive, psychoanalytic and existential-phenomenological schools of thought have been selected in order to demonstrate how their views on art appreciation varies. Their conceptions of an art experience range from a spontaneous preference for a work of art to a blissful experience of transcendence. Five different types of art appreciation are identified and described. These different experiences of art do not only vary in their phenomenological manifestations but also in the degree to which they involve a personal psychological dimension of the individual having the experience. The aesthetic experience as a transcendent phenomenon is identified as one of the most personal encounters with a work of art. On the basis of a detailed description of its phenomenology it is suggested that an aesthetic experience provides an emotion with a distinct form. In other words, an aesthetic experience is an instance in which an emotional quality is constituted in its existential actuality.

Français
La psychologie esthétique - ou psychologie de l'art - est un discipline importante dans la recherche sur la nature de l'art et sur l'influence de l'art sur l'existence humaine. Ce livre est plus qu'une introduction à la psychologie de l'appréciation de l'art: il met en perspective les résultats de la recherche dans ce domaine et propose une nouvelle théorie sur la relation entre l'art et le spectateur. L'auteur analyse l'appréciation de l'art selon les points de vue de quatre approches ou écoles différentes : physcho-physique, cognitive, psychanalytique, existentielle-phénoménologique. Les différences entre ces écoles en ce qui concerne l'appréciation de l'art visuel sont mises en relief, et de ces analyses résulte une identification et une description de cinq types différents d'appréciation de l'art, de la préférence spontanée pour une œuvre d'art particulière au sentiment de transcendence enivrant. Ces types ne diffèrent pas seulement dans leur manifestations phénomenologiques mais aussi au niveau de l'engagement de la dimension psychologique personnelle de l'índividu dont l'appréciation est en cause.

 
Emneområde | Filosofi og psykologi | Kunst og kunsthistorie |
Emneord | Billedkunst | Kognitionsforskning | Æstetik |
Specifikt emneord | Fænomenologi | Perception | Psykoanalyse | Symbolik |
Sprog | Engelsk |


Indhold
- I. The psycho-physical approach to art appreciation -
Formal beauty and aesthetic pleasure
Image and idea in visual art

- II. The cognitive approach to art appreciation -
Art and mind
Art and visual perception

- III. The psychoanalytic approach to art appreciation -
Visual art and the unconscious
The great experience in art

- IV. The existential-phenomenological approach to art appreciation -
Art and aesthetic experience
Art and experience

Conclusion

Pressen skrev

"I recommend this volume unstintingly to practicing psychologists interested in and concerned about the implementation of art in therapy. The book deserves a prominent place in librairies everywhere as a resource of value in the field."
- Hirsch Lazaar Silvermann, Contemporary Psychology
 


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